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Robert Faulkner's classic book on Hollywood composers, Music on Demand
(published in 1983 by Transaction Press) has some interesting analyses,
though I think they are all composer-director or composer-producer,
rather than composer-composer.

Ezra W. Zuckerman
MIT Sloan School of Management
50 Memorial Drive, E52-564
Cambridge MA 02142
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Tel: 617-253-1918
Fax: 617-253-2660


*-----Original Message-----
*From: Social Networks Discussion Forum [mailto:[log in to unmask]] On
*Behalf Of Wolf Bob
*Sent: Tuesday, May 13, 2003 5:40 PM
*To: [log in to unmask]
*Subject: networks in the music business
*
****** To join INSNA, visit http://www.sfu.ca/~insna/ *****
*
*Socnetters
*Does anyone know of work on networks in the music business? It seems
to be
*an inherently networked business (A&R to artists; artists to fan base;
*etc),
*but I don't recall having seen anything. Is reliable data to hard to
find?
*
*Let me know. Thanks
*
*Bob Wolf
*The Boston Consulting Group
*
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_____________________________________________________________________
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