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Dear colleagues,

this is a reminder to submit abstracts for the session on Networks in Art
taking place at the Networks in the Global World Conference 2016 in St.
Petersburg.


Best regards,

Dr. Alexandra Nenko
Associate Professor
Institute of Design and Urban Studies
ITMO National Research University in St. Petersburg


Call for Abstracts

Networks in Art: Practice and Structure, Meanings and Interactions

at the conference

Networks in the Global World 2016

Multiple Structures and Dynamics:

Applications of Network Analysis to European Societies and Beyond

July 1-3, St. Petersburg, Russia

www.ngw.spbu.ru

Deadline:  March 1st 2016

Co-chairs: Aleksandra Nenko, ITMO National Research University in St.
Petersburg, and Dafne Muntanyola, Autonomous University of Barcelona

From a pragmatic point of view, art is a collective act opposed to
individual practice. The social nature of art has been addressed from
different standpoints: from revealing how new styles in art emerge due to
changes in its institutional structure (White & White 1965), to showing
power relations in the art field (Bourdieu 1983). Also, by defining the
conventionally organized operations in the art world (Becker 1983) and
arguing the importance of everyday interactions and friendly dynamics in
creative collaborative circles (Farrell, 2003, Collins, 2015). Network
analysis is a powerful tool to capture the multiplicity of these relations
in art.

Network analysis has been extensively used to develop Bourdieu’s and
Becker’s elaborations on the social structure of art: network effects of
positions were found in the space of cultural production (Muntanyola &
Lozares, 2006; Crossley 2009; Bottero and Crossley 2011); formation of
evaluative categories and artistic judgements have been studied (de Nooy
2009); artistic careers have been taken as trajectories through
professional institutions and events (Giuffre 1999, Moureau & Zenou, 2014);
and creative performance has been shown as an effect of the small world
structure (Uzzi & Spiro 2005). The session welcomes papers continuing the
work from within these established frameworks.

Network analysis also allows to empirically locate and relate artistic
practices and operationalize concepts of focused interaction (Goffman
1961), artful practices (Garfinkel 1967), and habitus (Bourdieu 1980;
Wacquant 2015). Applied to textual data network analysis, it provides tools
to study how meanings emerge from interactions between artists. Network
analysis can be used  to capture the material embeddedness of artistic
practice in the immediate settings of studios (Farias & Wilkie 2016), local
buzz (Currid & Williams 2009) and networked complexity of a ‘creative’ city
(Comunian 2011). Network analysis can also capture the positions of
artworks in structures of relations between actors, while the former are
collaboratively created through embodied and materially embedded
communication (Albertsen & Diken 2004). Studying the composition of art
networks in connection to public participation reveals possibilities for
social empowerment through art, and shows ways to implement principles of
relational aesthetics (Bourriaud 1998). We welcome papers that adopt
network analysis to study the variety of phenomena in art including those
proposing alternative perspectives.

This is a thematic session, so the methodological options are multiple.
Particularly encouraged are papers on methodology and applications of
multimodal network analysis, including those studying the duality - for
example, of places / events and artists, social and cultural structures,
actors and objects - in artistic settings. This session will put together
papers that are empirically sound with the detailed interactions that make
the rehearsal a material context for action. We also expect papers on both
micro and macro scale studies of social relations between individuals,
institutions or meanings.

Please, submit your abstract (not exceeding 200 words) here
<http://ngw.spbu.ru/submission> before March 1st 2016.

When submitting, don’t forget to select the session title “Networks in Art:
Practice and Structure, Meanings and Interactions" from the list.

The conference website <http://www.ngw.spbu.ru/> provides additional
information.

Free accommodation will be provided to MA and PhD students who submit the
best abstracts. Fees: standard: 50 EUR. MA and PhD students: 20 EUR.

We are looking forward to your contributions and would appreciate if you
could kindly forward this letter to potentially interested colleagues.

Email any questions to [log in to unmask] and [log in to unmask]

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